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Rock and roll : its history and stylistic development
2013
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Rock and Roll – Changing Society, Evolving History

 

Rock and Roll: Its History and Stylistic Development, 7th edition introduces students to the various elements of music along with the history of rock music. Rock and roll is more than just a musical style, it is an influential social factor.

 

This program gives a thorough historical and musical analysis of rock artists, styles, and events in a clear and accessible language.  

A better teaching and learning experience

This program will provide a better teaching and learning experience– for you and your students. Here’s how:

  • Improve Active Listening – A “Take Note” section at the beginning of each chapter poses a series of key questions; each chapter concludes with a corresponding "Take Note" section that provides brief answers to the earlier questions. Each chapter also begins with a list of key terms.  
  • Engage Students – Each chapter includes a set of suggested listening activities to enhance the reader’s understanding of the text.
  • Support Instructors – A full Instructor’s Manual and Testbank are available.
- (PEARSON)

Author Biography

Dr. Joseph Stuessy holds the Ph.D. and Master of Arts degrees from the Eastman School of Music.  His undergraduate degree is from Southern Methodist University.  Dr. Stuessy served as Professor and Director of the School of Music at Texas State University (2003-2007) and as Professor and Director of the Division of Music at the University of Texas at San Antonio (1979-2003).

 

Dr. Stuessy’s Piano Concerto No. 1 was premiered by the Houston Symphony Orchestra and has been performed by the San Antonio Symphony and the Moscow State Orchestra.  His Piano Concerto No. 2 was premiered in 1996.  Both concertos have been recorded by the Moscow State Orchestra and are available on Aquarius compact discs.  Other works by Dr. Stuessy have been performed by the Dallas Symphony, the Eastman-Rochester Symphony, the Bolshoi Symphony (Moscow), Voices of Change, jazz trumpeter Clark Terry, and various other soloists and ensembles.  A complete concert of his compositions was presented in 1993 at the Composer’s Union in Moscow, Russia.  In 2005, he was named “Composer of the Year” by the National Federation of Music Clubs.

 

In 1985, Dr. Stuessy provided invited testimony to the U.S. Senate Commerce Committee on the topic of rock and roll lyrics.  He has taught a course on the history of rock music to over 10,000 students at three major universities (Southern Methodist U, Unviersity of Texas San Antonio, and Texas State University).

 

Dr. Scott Lipscomb received his Bachelor of Music Degree in Jazz Performance from the University of Tennessee at Knoxville where he studied with Jerry Coker. In addition, he holds an M.A. and a Ph.D. in Music (specialization: Systematic Musicology) from the University of California, Los Angeles. For six years, Dr. Lipscomb taught at the University of Texas at San Antonio (1995 to 2001) where he was actively involved with the Institute for Music Research.  He was Associate Professor of Music Education & Music Technology at the Northwestern University School of Music from 2001 to 2006. Currently an Associate Professor & Head of the Music Education & Music Therapy Division in the School of Music at the University of Minnesota, he teaches a variety of courses in music education, research design, music cognition, music technology, and rock history.

 

His primary areas of research interest include music integration in the K-12 classroom, integrating technology into the music classroom, developing innovative research techniques for studying musical behaviors, music applications for mobile devices, and experimental investigations to enhance our understanding of the role of music in multimedia (motion pictures, animation, and video games). In addition to authoring this textbook, he has made numerous presentations at regional, national, and international conferences, including those hosted by the Society for Music Perception & Cognition, the European Society for the Cognition of Music, the Society for Research in Music Education, the Minnesota Music Educators Association, the Association for Technology in Music Instruction, and the College Music Society. His research has been published in numerous peer-reviewed journals and edited volumes.


- (PEARSON)

Large Cover Image
Table of Contents

What's New in this Edition ix
Acknowledgments xi
1 Introduction
1(5)
Why Study Rock?
1(1)
Why This Book?
1(2)
Before We Begin: A Liberal View of Rock History
3(3)
2 The Roots of Rock
6(22)
Overview: The Early 1950s
6(2)
Pop
8(2)
Musical Close-Up: The Elements of Music
10(6)
Country & Western
16(2)
Musical Close-Up: Instrumentation in Rock and Roll
18(5)
Rhythm and Blues
23(1)
Musical Close-Up: The 12-Bar Blues
24(4)
3 The Emergence of Rock and Roll
28(17)
Overview: Crossovers and Covers
28(2)
Bill Haley and the Comets
30(1)
Elvis Presley
31(4)
Three Basic Trends Emerge
35(6)
Musical Close-Up: Rhythm in Early Rock and Roll
41(4)
4 Rock and Roll: 1950s Style
45(23)
Overview: Five Style Setters of the 1950s
45(1)
Little Richard
46(2)
Fats Domino
48(1)
Chuck Berry
49(2)
Jerry Lee Lewis
51(2)
Buddy Holly
53(3)
Others in the 1950s
56(4)
The Industry
60(3)
Musical Close-Up: Is Soft Rock Really Rock?
63(5)
5 Transition: The Early 1960s
68(16)
Overview: The Fragmentation of the Market
68(2)
The Beginnings of the Folk Music Trend
70(5)
Surfing Music
75(2)
The Dance Craze
77(2)
Musical Close-Up: Musical Texture and the Beach Boys
79(5)
6 The Beatles
84(34)
Overview: Revolution within a Revolution
84(2)
The Early Beatles
86(7)
The Middle Period: Experimentation
93(3)
The Later Beatles: Revolution
96(11)
Musical Close-Up: The Technical Side of the Beatles' Music
107(11)
7 The British Invasion
118(18)
Overview: The British Are Coming!
118(1)
The Rolling Stones
119(9)
All the Others
128(3)
Musical Close-Up: The Musical Style of the Rolling Stones
131(5)
8 Folk Music and Folk Rock
136(17)
Overview: The Youth Generation of the 1960s
136(1)
Bob Dylan
137(3)
The Byrds
140(2)
The Mamas and the Papas
142(2)
Simon and Garfunkel
144(2)
Other Folk Rockers
146(2)
Musical Close-Up: The Song Style of Bob Dylan
148(5)
9 Soul and Motown
153(21)
Overview: Soul Music: Its Definition and History
153(3)
Atlantic and Stax
156(1)
Aretha Franklin
157(2)
James Brown
159(3)
Motown
162(5)
Diana Ross and the Supremes
167(2)
Musical Close-Up: Melody and the Soul Singer
169(5)
10 San Francisco
174(17)
Overview: America Counters the British Invasion
174(2)
The Jefferson Airplane
176(2)
The Grateful Dead
178(2)
Janis Joplin
180(1)
Other San Francisco Groups
181(1)
Acid Rock Outside San Francisco
182(4)
Musical Close-Up: The Art of Improvisation
186(5)
11 Jazz Rock
191(14)
Overview: A Tale of Sibling Rivalry and Its Resolution
191(1)
Blood, Sweat, and Tears
192(4)
Chicago
196(3)
Other Jazz Rock Groups
199(1)
Musical Close-Up: An Analysis of "Symphony for the Devil/Sympathy for the Devil" (Blood, Sweat, and Tears)
199(6)
12 Art Rock
205(23)
Overview: Rock as a "Legitimate" Musical Vocabulary
205(1)
Rock with Orchestra
206(3)
Rock Operas and Theatrical Works
209(5)
Nontheatrical Art Rock by Unaccompanied Rock Groups
214(6)
Musical Close-Up: An Analysis of Karn Evil 9 by Emerson, Lake, and Palmer
220(8)
13 Mainstream Rock
228(21)
Overview: The Decade of Nondirection
228(2)
Mainstream Trends of the 1970s
230(8)
Mainstream Rock in the 1980s
238(4)
Mainstream Rock Beyond the 1980s
242(2)
Musical Close-Up: A Look at Rock Lyrics
244(5)
14 The Continuing Fragmentation of Rock
249(40)
Overview: Sub-styles of the 1960s Evolve into the 1970s and Beyond
249(1)
Art Rock Evolves into Progressive Rock
250(3)
Jazz Rock Evolves into Fusion
253(4)
The Singer-Songwriters of the 1970s
257(6)
Folk Influences in the 1980s and 1990s
263(1)
Country Rock and Progressive Country
264(8)
The Jam Band Phenomenon
272(1)
Soft Rock of the 1970s
273(4)
Soft Rock Continues to Evolve
277(3)
Musical Close-Up: Country or Rock?
280(9)
15 Heavy Metal
289(16)
Overview: "We're Not Gonna Take It Anymore"
289(1)
British Heavy Metal Evolves
290(3)
American Heavy Metal
293(3)
The 1980s: Heavy Metal Continues
296(6)
Musical Close-Up: Meter in Heavy Metal and Metal-Influenced Alternative Rock
302(3)
16 Dance Music
305(25)
Overview: The Selling of Rock---Changes in the 1980s and 1990s
305(5)
The Return of Dance Music
310(1)
Disco
310(3)
Motown Keeps Dancing
313(3)
Other Music for Dancing
316(3)
Dancing Through the 1990s and Beyond
319(3)
The Latin Invasion
322(3)
Musical Close-Up: The Anatomy of Disco
325(5)
17 Rap and Hip-Hop
330(20)
Overview: Technology, the Internet, and the Music Industry
330(4)
Rap's Beginnings
334(5)
Rap Comes of Age
339(3)
Other Rappers
342(2)
New Jack Swing
344(2)
Musical Close-Up: Expressive Musical Performance Delivery of Rap
346(4)
18 Alternative Styles
350(32)
Overview: Boomers and Post-boomers
350(3)
Alternative Rock: The Problem of Definitions
353(1)
The Beginnings of Alternative Rock: The 1970s
354(2)
Punk Movements: Back to Basics
356(5)
Alternative Styles Evolve
361(1)
Grunge
362(7)
Indie Rock
369(2)
Punk III: Neo-Punk Propels Rock into the New Millennium
371(1)
Prog Rock
372(3)
Musical Close-up: Alternative Views of Alternative Rock
375(7)
19 An Overview and an Editorial
382(12)
Overview: Eight Basic Statements
382(7)
Editorial
389(3)
Where to Now?
392(2)
DISCOGRAPHY
394(8)
A Basic Recorded Library of Rock and Roll
394(1)
Selected Discography
395(5)
Anthologies
400(1)
Music DVDs and Rockumentaries
401(1)
Bibliography 402(7)
Glossary 409(12)
Index 421

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